As if Steadicam isn’t heavy enough with the modern crop of digital cameras such as the Arri D21, RED ONE, the scarlet, the EPIC and the Alexa, times get really challenging when you mount up a 3D rig lke the P+S Technik Freestyle, or even with the Dark Country 3D mirror rig (similar to the Element Technica Rig or the Paradise FX Rig).  Flying a couple of SI-2Ks is certainly better than muscling a couple of REDs around.  All this can be helped with the addition of a SteadiSeg (otherwise known as a Handsfree-Transporter or Segway).  Clearly such additional equipment is not normally part of the standard inventory for a Steadicam operator.  Not even for an MK-V AR Revolution operator like Felix.  Just to be clear in both cases, Felix is one of a small number of owner operators who actually owns their own MK-V AR Revolution System (2 in the UK) and their own SteadiSeg (around four in the UK), so if you want an experienced operator with his own kit that he uses habitually, give Felix a call!.

London 3D Steadicam.  3D Steadicam.  SI2K 3D rig.  DC 3D Rig. SI2K. RED 3D Rig.  3D Red Rig.  Helicopter film services.  Pursuit arm. 3D MK-V AR Revolution Steadicam. Manchester 3D Steadicam.  UK 3D Steadicam. Global 3D Steadicam.  Mercedes SLS 3D Shoot. 3D Training. Pictures of 3D filmming rigs.  3D Cameras.  Stereography.  3D Convergence.  Interocular distance. 3D side by side rigs.  Sky3D. Sky 3D. 3Ality 3D.  Paradise FX 3D.  P+S Technik 3D. 3D rigs. BBC 3D. Discovery 3D.

With the investment and research which has gone into 3D filmmaking over the last few years, it seems we really can produce compelling, headache free content.  Much of the research has delivered new rules for shooting 3D.

Felix undertook a 3D training course with Sony/3Ality at the BBC in the UK.  It was literally ‘eyeopening’ to the extent that you really could see what the hype is about..... subject to compliance with these key rules.

Felix’s own recent experience is documented in the blog section but having worked on a number of 7 figure high budget 3D shoots using state of the art kit, with the world’s leading 3D cinematographers and  crews of talented 3D technicians, he’s ready to do it again.

In addition, Felix has spent a considerable amount of time working with the inventors of the world’s largest Holographic 3D display to focus on the shooting considerations for unlimited depth, real 3D.  More on this is here.  More? Have an interesting 3D project in pre-production? Call Felix or drop him a line.  Having gained experience as a 3D camera operator, 3D Steadicam operator, 3D MK-V AR operator and with experience Holographic 3D, he is more than willing to share what he knows and put you in touch with the right people to bring your project to fruition.