{"id":20,"date":"2012-08-18T09:40:45","date_gmt":"2012-08-18T09:40:45","guid":{"rendered":"http:\/\/localhost\/steadi\/?page_id=20"},"modified":"2018-02-07T11:58:42","modified_gmt":"2018-02-07T11:58:42","slug":"credits","status":"publish","type":"page","link":"https:\/\/www.steadiop.com\/cinedp\/index.php\/credits\/","title":{"rendered":"Credits"},"content":{"rendered":"

See my profile at IMDB<\/a> for other film work or contact here<\/a> for a complete list\/older credits and CV.\u00a0\u00a0\u00a0 Recent MK-V Omega AR<\/a> and unusual work includes:<\/p>\n<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\nA3 Noticias 24\n<\/td>\n\nAntenna 3\n<\/td>\n\nJose Rierra\n<\/td>\n\nArri Alexa\n<\/td>\n<\/tr>\n
\nACM Awards\n<\/td>\n\nTrickyart\/Charlotte Knight\n<\/td>\n\nRicky Tart\n<\/td>\n\nTape MC\/Live\n<\/td>\n<\/tr>\n
\nAlas MacGregor & Merson\n<\/td>\n\nGMAC\n<\/td>\n\nMario Saleri\n<\/td>\n\nHD Tape\n<\/td>\n<\/tr>\n
\nASOS ~ Catwalk\n<\/td>\n\nASOS.com\n<\/td>\n\nTreve Jackson\n<\/td>\n\nHD\n<\/td>\n<\/tr>\n
\nBob Geldof \u2018Drop the Debt Campaign\u2019\n<\/td>\n\nJDC\n<\/td>\n\nTrish Williams\n<\/td>\n\nHD Tape\n<\/td>\n<\/tr>\n
\nBula Quo\n<\/td>\n\nStatus Quo Films\n<\/td>\n\nStuart St Paul\n<\/td>\n\nRed Epic\n<\/td>\n<\/tr>\n
\nBush Jubilee Campaign (Uncredited)\n<\/td>\n\nJDC\n<\/td>\n\nTrish Williams\n<\/td>\n\nHD Tape\n<\/td>\n<\/tr>\n
\nCapsule\n<\/td>\n\nHermes\n<\/td>\n\nAndrew Martin\/Felix Forrest\n<\/td>\n\nRED Epic (Dragon)\n<\/td>\n<\/tr>\n
\nCarphone Warehouse Commercial\u00a0\u00a0\n<\/td>\n\nFilm660\n<\/td>\n\nMario Saleri\n<\/td>\n\nRed HD\n<\/td>\n<\/tr>\n
\nCharlie (Promo)\n<\/td>\n\nCharlie Film\n<\/td>\n\nMike Ogden\/Felix Forrest\n<\/td>\n\nRED MX\n<\/td>\n<\/tr>\n
\nChickenhawk\n<\/td>\n\nEntitled Productions\n<\/td>\n\nAndrew Martin\n<\/td>\n\nRed\n<\/td>\n<\/tr>\n
\nCinco de Mayo (E. Producer)\n<\/td>\n\nIPP Films\n<\/td>\n\nGiles Greenwood\/Simon Uttley\n<\/td>\n\nFilm\n<\/td>\n<\/tr>\n
\nContact 3D\n<\/td>\n\n3D Maxim\n<\/td>\n\nDavid Gent\/Philip Ho\n<\/td>\n\nEpic M 3D (Atom Rig)\n<\/td>\n<\/tr>\n
\nEmpire of Dirt\n<\/td>\n\nRed Bull\/Gramafilm\n<\/td>\n\n<\/td>\n\nArri Alexa\n<\/td>\n<\/tr>\n
\nExc\u00e9ntrico ~ Promo\n<\/td>\n\nRapido\n<\/td>\n\nJuan Dean\n<\/td>\n\nArri 416 – S16mm\n<\/td>\n<\/tr>\n
\nFallout\n<\/td>\n\nNois TV\n<\/td>\n\nTupaq Felber\/Alex Cavalho\n<\/td>\n\nRed HD\n<\/td>\n<\/tr>\n
\nFlavhour: Music Video\n<\/td>\n\nAdventures\n<\/td>\n\nJames Calvert\n<\/td>\n\nHD Tape\n<\/td>\n<\/tr>\n
\nFS Recruitment Film\n<\/td>\n\nFarm\n<\/td>\n\nSarah Broad\n<\/td>\n\nArri 235 – 35mm\n<\/td>\n<\/tr>\n
\nGive me Fiction\n<\/td>\n\nChalkstar Films\n<\/td>\n\nJosh Nolan\/Martyna Knitter\n<\/td>\n\nRed MX\n<\/td>\n<\/tr>\n
\nGlastonbury\n<\/td>\n\nJDC\n<\/td>\n\nKim Trathen\n<\/td>\n\nHD Tape\n<\/td>\n<\/tr>\n
\nGood Luck with That (E. Producer)\n<\/td>\n\nBreakenback Films\n<\/td>\n\nIgor Smiljevic\n<\/td>\n\nHD\n<\/td>\n<\/tr>\n
\nHeaven\u2019s Ernest\n<\/td>\n\nWave Films\n<\/td>\n\nJohn Michell\n<\/td>\n\nHD\n<\/td>\n<\/tr>\n
\nIntruders\n<\/td>\n\nAntenna 3 Films\n<\/td>\n\nJuan Carlos Fresnadillo\/Enrique Chediak\n<\/td>\n\nArri 435\/RED One\n<\/td>\n<\/tr>\n
\nJunte\n<\/td>\n\nCrystal Films\n<\/td>\n\nMartin Bunce\/Tony Anderson\n<\/td>\n\nArri Alexa\n<\/td>\n<\/tr>\n
\nJusto\n<\/td>\n\nArtman Productions\n<\/td>\n\nJulian Beaumont\n<\/td>\n\nArri 235 – 35mm\n<\/td>\n<\/tr>\n
\nKicasso\n<\/td>\n\nBreakenback Films\n<\/td>\n\nMik Gojic\n<\/td>\n\nTape\n<\/td>\n<\/tr>\n
\nKill Keith\n<\/td>\n\nDead on Arrival Productions\n<\/td>\n\nAndy Thompson\/Luke Bryant\n<\/td>\n\nRED One\n<\/td>\n<\/tr>\n
\nLa Muerte de Mi\n<\/td>\n\nDeAPlaneta Feature\n<\/td>\n\nJose Herrerias\n<\/td>\n\nArricam LT\n<\/td>\n<\/tr>\n
\nLetter to Jane\n<\/td>\n\nChalkstar Films\n<\/td>\n\nMartyn Chalk\/Felix Forrest\n<\/td>\n\nRed MX\n<\/td>\n<\/tr>\n
\nLord of the Dance 3D\n<\/td>\n\nNineteen Fifteen\n<\/td>\n\nMarcus Viner\/Nick Wheeler\n<\/td>\n\nNeutron Rig Twin SI-2Ks\/3D\n<\/td>\n<\/tr>\n
\nManagement Bites (Series)\n<\/td>\n\nMerson\n<\/td>\n\nMario Saleri\n<\/td>\n\n35mm Film\n<\/td>\n<\/tr>\n
\nManx Meister – Mercedes SLS 3D\n<\/td>\n\nInc:word\n<\/td>\n\nPete Woods\/Geoff Boyle\n<\/td>\n\nSI2K 3D DC Rig\n<\/td>\n<\/tr>\n
\nMasterfull\n<\/td>\n\nArtistry At Work\n<\/td>\n\nMichael Kreo\n<\/td>\n\nRED Epic\n<\/td>\n<\/tr>\n
\nMatched\n<\/td>\n\nMovingBrands\n<\/td>\n\nJack Laurence\n<\/td>\n\nSuper 16mm\n<\/td>\n<\/tr>\n
\nNectar Race Fuel\n<\/td>\n\nSM\n<\/td>\n\nSimon Matthews\/Colm O\u2019Rourke\n<\/td>\n\nRED MX\n<\/td>\n<\/tr>\n
\nNot Alone\n<\/td>\n\nGaia Media\n<\/td>\n\nTristan Versluis\n<\/td>\n\nRed HD\n<\/td>\n<\/tr>\n
\nOlivia Twist\n<\/td>\n\nFalcon Features\n<\/td>\n\nArno Hazebroek\/Jasmin Anderson\n<\/td>\n\nCanon 7D\n<\/td>\n<\/tr>\n
\nOne Day in February: Beautiful Day\n<\/td>\n\nFilm660\n<\/td>\n\nMartin Kaye\n<\/td>\n\nHD Tape\n<\/td>\n<\/tr>\n
\nOrange Soul & Blues\n<\/td>\n\nE&C\n<\/td>\n\nEmma Charlesworth\n<\/td>\n\nHD\n<\/td>\n<\/tr>\n
\nPacemaker\n<\/td>\n\nVimFilm\n<\/td>\n\n<\/td>\n\nRED MX\n<\/td>\n<\/tr>\n
\nParty in the Park\n<\/td>\n\nBBC\n<\/td>\n\n<\/td>\n\nTape\n<\/td>\n<\/tr>\n
\nRAS Commercial\n<\/td>\n\nFilm660\n<\/td>\n\nMario Saleri\n<\/td>\n\nTape\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\n<\/td>\n<\/tr>\n
\nRJW – Selections Commercial\n<\/td>\n\nFilm660\n<\/td>\n\nMario Saleri\n<\/td>\n\n16mm Film\n<\/td>\n<\/tr>\n
\nRun Run Run\n<\/td>\n\nArtman Productions\n<\/td>\n\nJulian Beaumont\n<\/td>\n\nArri Alexa\n<\/td>\n<\/tr>\n
\nScratch\n<\/td>\n\nBreakthru Films\n<\/td>\n\nJakob Rorvik\n<\/td>\n\nArri SR3 – S16mm\n<\/td>\n<\/tr>\n
\nShank\n<\/td>\n\nOnecut Films\n<\/td>\n\nSky\/Laura Bellingham\n<\/td>\n\nRed HD\n<\/td>\n<\/tr>\n
\nSherlock Holmes – BDO\n<\/td>\n\nGMAC\n<\/td>\n\nKelly Pearson\n<\/td>\n\nTape\n<\/td>\n<\/tr>\n
\nSherlock Holmes Investigates (Flash)\n<\/td>\n\nGMAC\n<\/td>\n\nChantel Tyler-Low\n<\/td>\n\nTape\n<\/td>\n<\/tr>\n
\nSix Foot Charlies\n<\/td>\n\nE&C\n<\/td>\n\nEmma Charlesworth\n<\/td>\n\nTape\n<\/td>\n<\/tr>\n
\nSkyhawk Racing\n<\/td>\n\nUTV\n<\/td>\n\nHarry Caufield\/Felix Forrest\n<\/td>\n\nArri Alexa\n<\/td>\n<\/tr>\n
\nSmile of April (E. Producer)\n<\/td>\n\nBroken Artists Pictures\n<\/td>\n\nJessica Brajoux\/Sabrina Karine\n<\/td>\n\nHD Tape\n<\/td>\n<\/tr>\n
\nStorage\n<\/td>\n\nPassion Pictures\n<\/td>\n\nDavid Lea\/Piers Leigh\n<\/td>\n\nHD Tape\n<\/td>\n<\/tr>\n
\nSuisse Vitamins\n<\/td>\n\nPowerhouse Productions\n<\/td>\n\nPeter Corbett\/Tony Brennan\n<\/td>\n\nHD (Varicam)\n<\/td>\n<\/tr>\n
\nTax Socials Commercial\n<\/td>\n\nFilm660\n<\/td>\n\nMario Saleri\n<\/td>\n\nRed\n<\/td>\n<\/tr>\n
\nTaylor Continental Commercial\n<\/td>\n\nCFID\n<\/td>\n\nPeter Hemington\n<\/td>\n\nArri 235 – 35mm\n<\/td>\n<\/tr>\n
\nThe Beatking: Music Video\n<\/td>\n\nAdventures\n<\/td>\n\nJames Calvert\n<\/td>\n\nHD Tape\n<\/td>\n<\/tr>\n
\nThe Car\n<\/td>\n\nMaverick Films\n<\/td>\n\nSascha Boxell\/Adam Etherington\n<\/td>\n\nRed HD\n<\/td>\n<\/tr>\n
\nThe Restaurant ~ Promo Season 3\n<\/td>\n\nRed Bee \/ BBC\n<\/td>\n\nCalum MacDiarmid\/Oliver Curtis\n<\/td>\n\nArri 416 – S16mm\n<\/td>\n<\/tr>\n
\nTime to Go\n<\/td>\n\nSony\n<\/td>\n\nSerdar Ferit\/Nic Morris BSC\n<\/td>\n\nArri Alexa\n<\/td>\n<\/tr>\n
\nTo Your Health\n<\/td>\n\nBallet Boys\/Channel 4\n<\/td>\n\nWilliam Williamson\/Trevor Speed\n<\/td>\n\nArri Alexa\n<\/td>\n<\/tr>\n
\nToploader at Sony Studios\n<\/td>\n\nJDC\n<\/td>\n\nKim Trathen\n<\/td>\n\nArri 416 – S16mm\n<\/td>\n<\/tr>\n
\nTramp – Dreams in the Park\n<\/td>\n\nFilm660\n<\/td>\n\nJordan Dorn\n<\/td>\n\nTape\n<\/td>\n<\/tr>\n
\nTribe\n<\/td>\n\nSavanna Films\n<\/td>\n\nBenjamin Johns\/Mikolaj Jaroszewicz\n<\/td>\n\nRED MX\n<\/td>\n<\/tr>\n
\nTV3\n<\/td>\n\nCanal 3\/24\n<\/td>\n\nJose Rierra\n<\/td>\n\nArri Alexa\n<\/td>\n<\/tr>\n
\nWe Play War\n<\/td>\n\nCFS\n<\/td>\n\nGeorge Murphy\/Theo Ribero\n<\/td>\n\nC300\n<\/td>\n<\/tr>\n
\nWoof ~ Agent Provocateur\n<\/td>\n\nAd-Virtue\n<\/td>\n\nJoseph Oppenheimer\/Laura Bellingham\n<\/td>\n\nSuper 16mm\n<\/td>\n<\/tr>\n
\nYumi in Love (E. Producer)\n<\/td>\n\nAshley Park\n<\/td>\n\nTerry Miles\n<\/td>\n\nHD Tape\n<\/td>\n<\/tr>\n
\n2020 Hindsight (E. Producer)\n<\/td>\n\nBreakenback Films\n<\/td>\n\nShawn Peach\n<\/td>\n\nHD\n<\/td>\n<\/tr>\n

<\/table>\n","protected":false},"excerpt":{"rendered":"

See my profile at IMDB for other film work or contact here for a complete list\/older credits and CV.\u00a0\u00a0\u00a0 Recent MK-V Omega AR and unusual work includes:<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\nFeature, Promo, 3D and Broadcast Credits for Felix Forrest<\/title>\n<meta name=\"description\" content=\"Recent and\/or interesting Feature, Promo, 3D and Broadcast Credits for Felix Forrest.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.steadiop.com\/cinedp\/index.php\/credits\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Feature, Promo, 3D and Broadcast Credits for Felix Forrest\" \/>\n<meta property=\"og:description\" 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